Aristotle with a Bust of Homer, and the pendant portraits Man with a magnifying glass and Woman with a pink. PAUL BROEKHOFF, MICHIEL FRANKEN REMBRANDT RESEARCH PROJECT. (cat. nr. 34) is one of his first essays into history painting which preoccupies him until the mid-i67os. Finally, he painted a.
Aristotle Contemplating a Bust of Homer, there is much that we can see amidst that musty sett(l)ing of gold dust that balances upon the old and new, upon the dark and light, upon the dead and living, giving forth beams of the true and glimmerings that shoot forth from the head. It is a Hamlet moment, when he looks upon poor Yorick’s skull.
Aristotle (384 - 322 B.C.) rests his hand on a bust of Homer, his hero and the epic poet of the Iliad and the Odyssey. On the golden chain hangs a medallion representing Alexander the Great, whom Aristotle mentored. In this painting, Dutch Master Rembrandt van Rijn depicts the philosopher deep in thought as he contemplates the tenuous balance between material rewards and spiritual values.
Interpretation of Aristotle Contemplating the Bust of Homer Considered to be one of the greatest portraits in 17th century Dutch painting, this impressive, if unusual, imaginary painting, was painted by Rembrandt for Don Antonio Ruffo of Messina (1610-78), one of Sicily's great art collectors.
Aristotle with a Bust of Homer, also known as Aristotle Contemplating a Bust of Homer, is an oil-on-canvas painting by Rembrandt that depicts Aristotle wearing a gold chain and contemplating a sculpted bust. It was created as a commission for Don Antonio Ruffo 's collection.
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Rembrandt van Rijn, Aristotle with a Bust of Homer (1653), room 637 vs. Anthony van Dyck, Portrait of Lucas van Uffel (1622), room 628. Both of these works are portraits, although Rembrandt drew a portrait of a famous philosopher who died almost two thousand years before he painted the picture.
Fig. 1 Rembrandt, Aristotle with a Bust of Homer, 1653, oil on canvas, 143.5 x 136.5 cm. New York, The Metropolitan Museum of Art, inv. 61.198 (artwork in the public domain) (side-by-side viewer).
Aristotle Contemplating a Bust of Homer The painting was commissioned by Rembrandt’s Sicilian patron named Don Antonio Ruffo, who did not request any particular subject. The painting shows Aristotle, wearing a gold chain, resting his hand on a bust of blind Homer, a legendary figure from three centuries earlier, and thoughtfully looking at it.
The following three questions regarding Rembrandt’s painting, “Aristotle Contemplating the Bust of Homer”. This should be a PERSONAL essay so NO sources should be used except the picture of the painting. Adress the following questiond in essay form, from your perspective and elaborate on each with descriptive details.
Biography of Aristotle Essay example. 1487 Words 6 Pages.. During Aristotle 's teachings, the son of Philip II became very passionate for the works of Homer and in particular the Iliad. As a result of this, it inspired him to be a heroic warrior and because of this, Aristotle gave him a copy which he later carried with him on his campaigns.
Aristotle with a Bust of Homer Rembrandt 1653 In this imaginary portrait of Aristotle, the Greek philosopher rests his hand reflectively on a bust of Homer, the epic poet of an earlier age. A.
In this imaginary portrait of Aristotle, the Greek philosopher rests his hand reflectively on a bust of Homer, the epic poet of an earlier age. A medallion.
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Aristotle with a Bust of Homer, also known as Aristotle Contemplating a Bust of Homer, is an oil-on-canvas painting by Rembrandt. It was painted in 1653, as a commission from Don Antonio Ruffo, from Messina in Sicily, who did not request a particular subject.
Aristotle Contemplating the Bust of Homer by Rembrandt van Rijn The painting is 143.5 cm by 136 cm in dimension, painted by Rembrandt van Rijn in the year 1653, painted on oil on canvas, and is currently located at the Metropolitan Museum of Art (Theodore 149). In the painting, which is the imaginary portrait of Aristotle, there is a great Greek philosopher depicted resting his hand.
Aristotle with a Bust of Homer 1653 Oil on canvas, 144 x 137 cm Metropolitan Museum of Art, New York: Catalogue number: Bredius 478. This imaginary portrait, one of Rembrandt's best-known works, was painted for Don Antonio Ruffo, a wealthy Sicilian nobleman and Rembrandt's only foreign patron, who had asked Rembrandt for a portrait of a philosopher.
In the 1640s, Rembrandt’s frequently theatrical style of the previous decade gave way to a more contemplative manner, a mature example of which is Aristotle with a Bust of Homer (1653; 61.198). The change reflects period taste but also personal circumstances, such as Saskia’s death in 1642, financial problems, and the artist’s.
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